Tracey Emin one of Brittan's most public, personal provocative artists. her subject matter is all about her and her experiences. Her autobiographical style of work is all about exposing the kind of things about herself that most people would be too ashamed to reveal. but she has also been accused of exploiting the public voyeuristic nature to gain attention.
Everyone I Have Ever Slept With 1963–1995
The work was a tent with the appliquéd names of, literally, everyone she had ever slept with, but not necessarily in the sexual sense.
I think you could still describe this work as imersive, it was helpful for me thinking of ways i might display my final out come.
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